2006
Best
of Tim Buckley
Straight/Warner WS 1881
Review by Thom Jurek
While
there are numerous Tim Buckley compilations, this is the one
that tells a real story of restless artist hard at work in
pursuit of that slipstream where the Muse resides, album by
album -- and this latter point cannot be overstated.
Buckley
was, in fact, an album-driven artist who saw his work in terms
of set pieces rather than collections of songs. The 2001 double-disc
Morning Glory was thorough as far as it went; it leaned
heavily on songs from his earliest efforts (as does this one).
Neither
Morning Glory or this Best Of gives more than a glimpse
of an artist who resisted compiling since he blazed his way
through styles and vocal techniques in a short life. In any
case, that double-disc, which contained 33 tracks, might be
too much of an introduction with its hefty list price. This
one is much more manageable economically.
The
"best of" Tim Buckley is always going to be debatable,
but Bill Inglot's selections are well-placed. There are three
cuts from the self-titled debut album (including I Can't
See You), and four from Goodbye and Hello ( Morning
Glory is among them), as well as an alternate take of
Sing A Song for You. From here the tale goes winding around
a rather strange road.
The
actual studio version of I Had a Talk With My Woman from
Federico García Lorca is here (there was a live
read of the song on the Morning Glory set), as are
three from Blue Afternoon (The River and Happy
Time). Inexplicably, only Strange Feelin' is included
off the delightfully weird Happy Sad.
While
Song to the Siren, has become a defining moment in
Buckley's legend since it was covered by This Mortal Coil,
there should have been another cut from Starsailor
here in addition to it. It gives the wrong impression of an
album that is complex, strange, and at times harsh and off-putting
(it, like Lorca and Greetings From L.A.) are
also brilliant.
At
the time of this writing, Starsailor and Blue Afternoon
remain out of print on CD. Dolphins and Martha
are here from Sefronia, as is Move With Me,
from Greetings From L.A. (which remains in print only
as an import), but Get on Top or Sweet Surrender
should have been here as well.
Finally,
the title track from Look at the Fool, Buckley's final
studio album, is here as well. This track offers another view
of Buckley as a soul singer. He may have regarded the music
as commercial and a sell-out, but there is nothing remotely
"accessible" about his sound on this record. As
a single disc, this one is as good as it gets despite its
shortcomings.
|