2011
Tim
Buckley: Tim Buckley - Deluxe Edition
By
Joe Marchese
When
Tim Buckley is discussed today, its most often in the
context of his son Jeff, and the eerie similarities between
the lives of father and son,
both of whom died at tragically young ages. So Rhino Handmades
expanded two-CD remaster of Tim Buckleys debut (Rhino
Handmade RHM2 526087, 2011) isnt just a celebration
of a folk-rock classic, but a stunning reminder of his talent
on its own considerable merits.
Tim
Buckleys eponymous debut remains a haunting work by
a haunted man. Yet like many great talents, Buckley was
for a while, at least able to channel his demons into
lasting art. Hailing from bucolic Orange County, California,
the teenaged Buckley had to drive north on the newly-finished
405 freeway to be where the action is on the Sunset
Strip. It was at The Trip that Buckleys band, The Bohemians
(consisting of singer/guitarist Buckley, bassist Jim Fielder,
drummer Larry Beckett and guitarist Brian Hartzler), encountered
Frank Zappa and the Mothers of Invention. The Mothers were
playing the Trip, and the Bohemians had a connection. The
Mothers drummer Jimmy Carl Black, who played on the
titanic 1966 Freak Out!, was a friend of Fielders, having
worked with him at an Anaheim music store. (Fielder would
have a brief, tumultuous stint in The Mothers between the
releases of Freak Out! and its follow-up, Absolutely Free,
and then go on to become a founding member of Blood, Sweat
and Tears.) Black took a liking to The Bohemians and introduced
them to The Mothers then-manager, Herb Cohen. It was
Buckley alone, however, who captivated Cohen. He took the
young singer under his wing, both personally and professionally.
As he had negotiated Zappas debut on Verve Records,
he engineered a deal for Buckley at Jac Holzmans Elektra
Records.
For
Tim Buckley, Elektra only wanted the best. Holzman himself
helmed the singer/songwriters debut album with the labels
house producer Paul Rothchild, a name now familiar to fans
of The Doors and Janis Joplin. Rothchild was aided by his
frequent associate, engineer Bruce Botnick. Fielder remained
on bass, joined by Lee Underwood on lead guitar (beginning
a fruitful relationship with Buckley) and Billy Mundi of The
Mothers on drums. Mundi, later a founding member of Rhinoceros,
enjoyed a longer association with Zappas unit than Fielder,
playing on a number of Zappas albums including Were
Only In It for the Money and Uncle Meat. Tim Buckley was a
luxury project by any account. Van Dyke Parks had just been
in the throes of creating Smile with Brian Wilson when he
was enlisted to overdub keyboards, and seasoned pro Jack Nitzsche
brought his usual majestic touch as composer of the albums
string arrangements.
How
does Rhinos remastered and expanded Tim Buckley stack
up? Hit the jump to find out!
While
Tim Buckley may be the singers most accessible album,
its still filled with idiosyncrasies. Buckley co-wrote
all but four tracks with Beckett, contributing those last
four himself. I Cant See You, the opening
track, offers imagery of princesses and maidens, hardly the
stuff of your typical Los Angeles rock offering of 1966. The
sound was classic Elektra, though: folk-rock with emphasis
on the rock (not pop). The listener is immediately grabbed
by that resonant voice, passionate and distinct, over the
songs dissonant and vaguely ominous backing. Nitzsches
strings in the mournful Wings (a Buckley solo
composition) emphasize one of Buckleys best melodies,
and indeed, the album has a strong current of sadness throughout.
Song of the Magician remains a spellbinding, haunting
track, while Valentine Melody has a gentle fragility
to it that characterizes the LP.
Not
that Tim Buckley didnt show off a number of sides to
the singer. (In his new liner notes essay, Larry Beckett lists
a number of the singers influences, among them Frank
Sinatra, Bob Dylan, Miles Davis, Odetta and the Jaynetts!)
Arent You the Girl, another track written
by Buckley solo, would have been a prime candidate for a pop
single, with Van Dyke Parks shimmering harpsichord,
although its still unconventional as the song just comes
to an abrupt stop. It Happens Every Time is a
commercial, rock-oriented track enhanced by Parks and
Nitzsches contributions. Both Parks and Nitzsche, however,
must have known how special their artist here was, as neither
overpowers Buckley, ever, despite their own singular styles.
The lengthy Song Slowly Song (a translation of
an anonymous poem from The Greek Anthology) features a spare,
eerily beautiful arrangement that is integral to its multiple
parts, but it never takes over the song. Buckleys measured
use of his vibrato adds to the unique sound of his vocal instrument.
The albums final track, the tough, rocking Understand
Your Man brings to light both Buckleys tenderness
and angst; these qualities arent necessarily contradictory.
Rhinos deluxe edition offers both the stereo and mono
mixes of Tim Buckley on Disc One. While the stereo mix is
more exciting to these ears (the better to hear each instrument
crisply), the echo of the vocals and the full, if unobtrusive,
arrangements have a certain you are there radio
feeling in mono.
Disc
Two offers 22 previously unreleased tracks, all lo-fi
demos, which represent a goldmine to Buckley fans. The first
portion of the disc consists of the demo recordings of The
Bohemians, made in November 1965. Its safe to say that
despite the many stylistic routes taken by Buckley in his
all-too-short career, he never rocked as hard as when he was
a high school student recording in Anaheim with these three
friends. A vibrant energy is present. In Put You Down,
that unmistakable voice cuts through the Dylan-influenced
rocker. Let Me Love You is a garage rock-style
track that hints Buckley could have easily gone in another,
more commercial direction. Most interesting to some fans will
undoubtedly be the early versions of the albums She
Is and It Happens Every Time, and neither
disappoint. Parks and Nitzsches contributions are most
missed on It Happens Every Time but Buckleys
demo establishes the songs strength, and his vocal style
is almost fully-formed, just a bit raw around the edges. No
More is a particularly fine ballad that would have been
welcome on Tim Buckley, while the uninhibited scream of Wont
You Please Be My Woman shows another side of the artist.
These are very much band tracks, however, with the groups
joyfully noisy clang of You Today standing out.
The
second part of Disc Two is dedicated to the acoustic demos
recorded in the summer of 1966 by Buckley and Beckett, sans
Bohemians. Theres a third version here of She
Is here (Buckley and Beckett knew when to hold onto
something great!) making for fun listening comparisons across
both discs. Two tracks are time-capsule curiosities, Beckett
reciting poetry over acoustic strumming on Found at
the Scene of a Rendezvous That Failed and Birth
Day. The spontaneity of these tracks is evident, and
adds to their appeal. Buckleys laughing during the recording
of My Love is for You doesnt detract from
the attractive melody. The tracks on Disc Two are in far from
pristine condition, but their historical significance makes
them a worthwhile inclusion even if the sound quality cant
compare to that of the first disc.
As
is expected (but not taken for granted!) from Rhino Handmade,
the package is a unique one. Its larger than standard
CD size, 6.5" x 6", and is presented in a heavy
cardboard digipak opening via string clasp. Inside are two
individual CD envelopes, one of the original album and one
bootleg-style, with the back replicating an original
tape box. Theres also a large 18-page booklet enclosed,
with essays by both Larry Beckett and Thane Tierney. Theres
also technical and discographical information. Original engineer
Bruce Botnick has beautifully mastered both discs for Rhino
under the supervision of producer Mason Williams.
Tim
Buckley would go on to push the envelope even further, with
explorations into jazz, the avant-garde, soul and even funk
territory before his death in 1975, aged 28. But never was
his voice more pure and never was the feeling of anythings
possible as palpable as on 1966s Tim Buckley.
Rhino Handmades 2011 edition does this Los Angeles nugget
proud.
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