May,
1968 Fillmore
East
'New' Byrds
Display Old Folk-Rock Form
By
Fred Kirby NEW
YORK --
The Byrds, absent from the New York scene for
some time, showed they still had complete command
of the folk-rock idiom with a near-brilliant first set at Fillmore East on Saturday
(18), the third of four weekend sets at the East Village theater. Reported guitar
trouble cut short Tim Buckley's set, but he was good while he was on. A
major question the group had to answer was how their change of membership affected
their familiar sound. With Jim McGuinn still on lead and Milt Hillman still on
bass, the unit is as solid as ever. It took the large audience a while to warm
up to the Byrds, however. Much of this doubtless was due to the abrupt ending
of Buckley's set. Actually,
it was a group of country numbers that grabbed the audience. Included were Hickory
Wind and You Don't Miss Your Water with Graham Parsons featured, while
Douglas Dillard played bluegrass banjo in Foggy Mountain Breakdown. Dillard,
not a regular member of the group, sat in for one weekend stand. The
last three numbers of their regular program were three of the Byrds' biggest hits:
Eight Miles High, Mr. Tambourine Man, and Turn! Turn! Turn! These
demanded and naturally got encores as the group performed Goin' Back and
Hey Joe. In the latter, McGuinn sang just about the fastest version of
the song which has received many performances around here lately. The
program had many other features, including Chimes of Freedom, So You
Want To Be A Rock 'n' Roll Star, Satisfied Mind, My Back Pages, and their
latest single You Ain't Going Nowhere, a country tune. McGuinn, Hillmann
and Parsons on vocals were excellent throughout, while Kent Kelly was first rate
on drums. Many
groups that have played Fillmore East recently have scored impressively with excitement
of raw power, a characteristic of much of today's music. The Byrds, however, are
clearly one of the most polished acts in today's pop scene, and they too, scored
impressively. As
for Buckley, he was in fine voice with his falsetto under perfect control. The
Elektra artist's communication with the audience is based strictly on his vocal
performance and his superb material, although he did mumble something before his
last number. The possessor of possibly the best voice of today's popular folk-style
composers, Buckley delivered five songs well, then abruptly left the stage. With
the cheers of the audience and cries for more still ringing, his three back-up
musicians also left. An announcement was made about the faulty guitar. The problem
was not apparent. The
Foundations, an r&b-style group from England, opened the show with a largely
uptempo set. Baby, Now That I've Found You,their UNI Records hit was the
high point. Among the other good numbers for the eight-man unit were Show Me,
Too Many Teardrops, I'm a Whole New Thing, and I Can Take or Leave Your
Loving.
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