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|
1990
- Dream Letter - Live in London 1968, Enigma/Manifesto
"This
superb two-hour performance by the late Tim Buckley has
never been available before, even in bootleg form, and
it is a revelation, capturing this folk-pop visionary
at a critical and exciting juncture in his tragically
abbreviated career.." |
| Rolling
Stone |
|
 |
|
|
1991
- The Peel Sessions, Strange Fruit Records (UK) Dutch
East India(US)
Five tracks recorded in 1968 for BBC Radio 1's John
Peel Show
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|
1994
- Live at the Troubadour, Manifesto Records
"The
spotlight is on Buckley's lyrics and ungodly-great voice
- the liner notes credit him with a five-and-a-half octave
range, all of which he uses, and then some - his playing,
and that of his four-piece band swing provocatively, adding
texture and improv spontaneity..." |
| Jack
Rabid - The Big Takeover |
|
 |
|
|
1994
- Morning Glory, Band of Joy Records(UK)
The
Peel Sessions with two added tracks from BBC2 television
show The Old Grey Whistle Test
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| |
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|
1995
- Honeyman, Manifesto Records
"The
Honeyman session finds Buckley at his most exuberant.
He croons Fred Neil's ever-beautiful Dolphins with
the assurance of prime-time Sinatra, albeit one owing
as much to Jack Kerouac as Jack Daniels..." |
| Fred
Dellar - VOX Magazine (UK) |
|
 |
|
|
1999
- Once I Was, Strange Fruit Records (UK)
Same
as "Morning Glory", with added Danish
radio track 'I
don't need it to rain'
"I can hear how he takes himself through the
singing, like he's walking gingerly over seaweed rocks;
he guides the listener. He was a fearless and truly
intimate performer..." Scottish singer/songwriter
Eddi Reader
|
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 |
|
2000
- Works in Progress, Rhino Records/Handmade
"A
wonderful assortment of material Buckley cut in 1968 --
originally intended as material for the album that would
become Happy Sad, but largely left behind at the time
-- most of it released for the first time ever on this
incredible set from Rhino Handmade..."
|
| dustygroove.com |
|
 |
|
2000
- The Copenhagen Tapes, Strange Fruit Records (UK)
Complete
1968 Danish radio broadcast |
| "Vocally,
Buckley whoops and moans quite superbly, and the overall
effect is entirely mesmerising..." The Independent
(UK) |
|
 |
|
2001
- The Dream Belongs to Me, Manifesto Records
"While
neither the '68 sessions nor the '73 demos are recommended
to non-fans, their pairing on this disc creates an interesting
and unique juxtaposition between Buckley's early, stellar
flights of fancy and the more pragmatic, earthbound end
of his career..." |
| cduniverse.com |
|
 |
|
2009
- Live At The Folklore Center, NYC – March 6, 1967,
Tompkins Square
"It’s
unquestionably great music, but a fascinating insight
into a songwriter’s development, too. As Buckley expands
the parameters of his music ... you can virtually detect
the speed of his development..." |
| UNCUT |
|
 |
|
2011
- Tim Buckley: Deluxe Re-Issue - Rhino Handmade
"....Buckley’s
otherworldly voice, a versatile, enveloping five-octave instrument
capable of immense charisma and intense emotional stirrings
– manoeuvering through complex mood shifts in the space
of a breath – that make this such an auspicious, daring
debut." UNCUT
|
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|
2016
- Lady, Give Me Your Key - Light in the Attic Records
"...the
material is a true boon for Buckley's most devoted followers."
AllMusic.com
|
 |
|
2017
- Tim Buckley - Venice Mating Call - Manifesto Records
"Buckley commands a broad range of emotions over the
course of these sets, with his fluid tenor turning either
urgent or sultry, as the moment demands..."
CultureSonar
|
 |
|
2017
- Tim Buckley: Greetings from West Hollywood - Manifesto
Records
"Even
those long convinced that Tim Buckley ranks among the 20th
century’s most innovative singers and musical visionaries
will find these newly-discovered tracks from manager Herb
Cohen’s vaults a jaw-dropping revelation."
Record
Collector Mag
|
 |
|
2019
- Tim Buckley: Live at the Electric Theatre Co. - Manifesto
Records
"...adds
another touchstone in Buckley’s creative output.."
Luke's
Turn Table
|
 |
|
2021-
Bear's Sonic Journals -Merry-Go-Round at the Carousel -Owsley
Stanley Foundation
"Buckley’s
devotion to pushing his voice and his art would soon lead
to albums like Starsailor....that journey starts on recordings
like these."
Rolling
Stone
|
