A
Tim Buckley Story - Part Two
I
asked him where he was staying, he told me about his new album,
Sefronia and all else fades from memory.
Again, none of the special connection that filled me through
the music, but I wasnt about to let that discourage
me. He left the club and I hailed a cab to take me to the
Blue Boy Hotel where he was staying; a hotel near the Fraser
River that had a bit of a sleazy reputation, an occasional
suicide, perhaps a murder.
I
arrived at the hotel and asked for the number of Tim Buckleys
room and head up on the elevator. He hadnt yet arrived
so I parked myself outside the door to wait. After some time
the bellboy Id seen at the front desk came by. I told
him my friend and I had left at the same time but that he
must have gone somewhere else first. He said to wait a moment
and he let himself into the room and used the telephone.
He
came back out and said, You can wait in the room.
I was relieved to see twin beds, it was very late, 2:30 or
3 oclock and I was tired. I took off my things and was
just getting into bed when Tim arrived. He had a look of shock
and disbelief on his face and asked how I got in. I explained.
To his credit he didnt tell me to immediately get out.
He just said he was going out for a bit and told me not to
answer the phone if it rang. I slept.
In
the morning when we were both awake I must have told him more
of what was going on in my head and I know I tried to get
answers from him. I have little recall of exactly how the
conversation went. I do remember he was polite and not unkind.
The whole thing must have been quite bizarre for him. A wild-haired,
wild-eyed, disabled hippy chick materializing through the
door of his supposedly private hotel room! I dressed, asked
him for cab fare and went back to my friends where I
was staying, The Sows Ear shop was now a thing of the
past.
That
night I once again went to the Egress for the show where all
the same magic occurred and once again, I am somewhat embarrassed
to say, I made my way back to the Blue Boy Hotel. This time
Tims wife, Judy was there and they were checking out
of the hotel. We three rode down in the elevator together.
She was polite and friendly and again I had to ask for cab
fare.
During
the three years from my mental explosion until Tims
death I saw him perform several times in Vancouver and Victoria.
Time would pass after seeing him and I would convince myself
that I was a bit crazy and attempt to get interested in somebody
else and then another recording would come out and all the
same connections would happen. Or he would come to town again.
I
no longer made a fool of myself after his performances. I
realized that the way I saw who Tim was, was only through
his music and so the only way he would see who I really was,
was if I wrote songs. I can thank him for setting me on the
road to becoming a songwriter. After gigs he would introduce
me to band members as my friend, Judy. But the
dreams and desires and plans never left me. I was going to
sing my songs onstage to Tim Buckley. With Tim Buckley. He
was pure, he was holy, he suffered like Jesus. I believed,
somehow, he was.
At
a performance I would always position myself front and centre.
There was no way I would not be noticed. I felt he sang better
after he saw I was there. Each time I saw him perform after
the first time, he looked happier, better dressed, more of
the rock star. There was no way a recording could truly reproduce
the experience of seeing and hearing Tim Buckley on stage.
The
last time I saw him perform was in Long Beach, California.
I
was spending my second winter in San Pedro, a suburb of Los
Angeles and found out Tim was playing at the Starwood in Long
Beach. I went with a couple of guy friends. By this time I
was cool and collected. Of course when Tim played in B.C.,
seeing me in the audience was nothing new. The look of genuine
surprise on his face seeing me on his own turf was delightful.
I left it at that. No backstage notes, no arranging to stay
after the show. I had matured. I was working on my own music,
my own story.
One
warm June day back in Vancouver my best friend Andrea and
I were somewhere near 4th avenue looking to score some pot.
We were sitting in the back seat of a long white Cadillac
or Lincoln driven by big bearded fellow who may have been
called Bear. The radio was playing and a news flash came on
saying that Tim Buckley had died in Los Angeles from an apparent
heart attack.
I
was washed by a stunned feeling of disbelief, yet somehow
in the confusion of my feelings there came a tremendous feeling
of relief, like a huge weight had lifted. In my grief, which
was the first time I had truly experienced real loss since
leaving my childhood home in India, I felt that that the relief
I was experiencing was Tims relief at not having to
suffer this life any longer. But really it was the relief
of my not being burdened by my obsession. I was free.
It
later came out that Tim had died from mistakenly overdosing
from snorting heroin thinking it was cocaine. That was also
incorrect. It seems that it was heroin and alcohol.
For
a while I stayed in world Id created. There was not
a lot of difference between connecting to the dead Tim or
the living Tim. It was all spirit and fantasy. Only there
was no longer the possibility of the musical and physical
get-together between us.
During
my early 20s I did a fair amount of experimentation
with various drugs. I was never curious about heroin or speed
but anything else I would give a try. Tims death, and
its connection to cocaine (as was mistakenly first reported)
may have saved me from a serious drug problem. I had dabbled
with coke a couple of times and after Tims death I began
to hear other stories about death and cocaine.
Soon
after his death I got together with the man who would become
my husband for fourteen years and the father of my two daughters.
I
no longer puzzle over what happened or why. The whole experience
was a gift. A gift of magic, a gift of creativity, a gift
of understanding those who balance on the brink of what is
real and unreal and those who tumble over the edge.
© Judy Norbury
January 2004
Born
in India and raised in Vancouver, Judy Norbury spent
much of early adult life participating in the west-coast
music scene. She has played at concerts and folk festivals
throughout British Columbia, Canada, primarily on Vancouver
Island where she has made her home for the past 25 years.
With two albums, and a vast repertoire of original songs
ranging from bluegrass to folk-rock, Judy is an established
and respected artist throughout Vancouver Island.
A
blithe spirit that knows no limitations, Judy, through
her songs, extols the abundance of love, laughter and
whimsy that has propelled her along her journey of life.
Judy plays guitar and Appalachian mountain dulcimer
and sings, with a voice that is both rich and sweet,
songs with humour, melancholy and courage. The lyrics
in her songs document her personal experiences in a
way that is both powerful and intimate.
Judy
is also part of the singing duo Norbury
and Finch
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