by
Lorry Kikta
Do
you want a romantic drama that’ll leave you teary-eyed
in all the right ways? Then look no further than Gregor
Jordan’s latest, Dirt Music. It’s a heartwrenching story
of love, loss, and redemption in several beautiful Australian
locations. Starring
Scottish actress Kelly Macdonald and American actor Garrett
Hedlund giving us their best Aussie accents and two incredible
performances.
Kelly
Macdonald plays Georgie, a 40-year-old former nurse who
now lives with her boyfriend, Jim Buckridge (David Wenham),
a very important fisherman in their small fishing community.
At first, Georgie meets a dog on the beach when she goes
skinny dipping in the dark early morning hours. The next
day, she meets the same dog, but then also meets his owner,
Lu (Garrett Hedlund). It doesn’t happen immediately, but
soon enough, the two start a passionate love affair.
Of
course, Jim eventually finds out, and Lu disappears into
the Australian Outback. There’s much more to the story
than this, including Lu’s former career as a musician
with his brother and sister-in-law, and his grand love
for their daughter, Bird (Ava Caryofyllis), who he tragically
lost before the outset of the film. As a result, Lu vowed
never to play music again.
Georgie
is a lost person, trying to find her way to her own identity
outside of Jim. Jim actually may not be as much of a jerk
as he appears to be at first glance. With breathtakingly
beautiful views of the Australian coast throughout, Dirt
Music transports the viewer into Georgie and Lu’s idyllic
world. There is so much against the two ill-fated lovers
from the outset, but both are determined to get back to
each other. This
results in a gut-wrenching search for Lu in Western Australia
that puts one on the edge of their seat.
The
cinematography by Sam Chiplin and water cinematographer
Rick Rifici is outstandingly gorgeous, lending a nature-documentary
quality to a heartfelt romance. Kelly Macdonald is terrific
as she always is, and Garrett Hedlund does a great job
as a romantic lead. I also enjoy the fact that the film
features a relationship between an older woman and a younger
man, which isn’t explored too often in cinema. It’s also
not used as a plot device; it’s literally never mentioned.
It’s treated the same way a relationship between an older
man and a younger woman always is, as almost usually never
worth mentioning. We
also get to see desire through the female gaze, which
is another thing that is rare to see in film, even in
2020.
There’s also some great music by Craig Armstrong, and
the musical performances with Lu and his family in the
past are beautiful. There’s a wonderful cover of Tim Buckley’s
“Song to the Siren” that weaves throughout the film. As
previously mentioned, if you’re in the market for a heartwrenching,
beautiful, romantic drama, please take the time to check
out Dirt Music. It scratches the same itch as The Notebook
without ever being too unbearably melodramatic. It is
absolutely worth seeing when you want a love story that
makes you cry but still has a satisfying ending.
©
2020
Kikta/filmthreat.com